Trolwood: Maret 2013

Jumat, 29 Maret 2013

[F295.Ebook] PDF Ebook Unreal Engine 4 AI Programming Essentials, by Peter L. Newton, Jie Feng

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Create responsive and intelligent game AI using Blueprints in Unreal Engine 4

About This Book

Understand and apply your Game AI better through various projects such as adding randomness and probability, and introducing movement
Configure and debug Game AI logic using multiple methodologies
Bridge the gap between your knowledge and Game AI in Unreal Engine 4

Who This Book Is For

This book is for programmers and artists who want to expand their knowledge of Game AI in relation to Unreal Engine 4. You are recommended to have some experience of exploring Unreal Engine 4 prior to this book because we jump straight into Game AI.

What You Will Learn

Understand the fundamental components of Game AI within Unreal Engine 4
Skillfully introduce Game AI within Unreal Engine 4
Configure, customize, and assign Navigation and AI components to your pawn
Create, debug, and analyze Game AI behavior
Design responsive Game AI using the Behavior Tree methodology
Create smart objects designed to interact with AI
Utilize advanced AI features within your project to maximize the user experience

In Detail

Unreal Engine is a powerful game development engine that provides rich functionalities to create 2D and 3D games. Developers have the opportunity to build cross-platform mobile and desktop games from scratch. This book will show you how to apply artificial intelligence (AI) techniques to your Unreal project using blueprints as your scripting language. You will start with an introduction to AI, and learn how it is applied to gaming. Then you'll jump right in and create a simple AI bot and apply basic behaviors to allow it to move randomly. As you progress, you'll find out how to implement randomness and probability traits. Using NavMesh, you will impart navigation components such as character movement, MoveTo nodes, settings, and world objects, and implement Behavior Trees. At the end of the book, you will troubleshoot any issues that might crop up while building the game.

Style and approach

This easy-to-follow project-based guide throws you directly into the excitement of Game AI in an approachable and comprehensive manner.

Sales Rank: #3293989 in Books
Published on: 2016-03-18
Released on: 2016-06-06
Original language: English
Number of items: 1
Dimensions: 9.25" h x .43" w x 7.50" l, .73 pounds
Binding: Paperback
188 pages

About the Author

Peter L. Newton

Peter L. Newton gravitated toward computers at a young age. As his appetite for technology grew, web applications were his first exploration into development. The excitement of programming is what kept Peter diving further into different software designs and programming patterns. He is a self-taught programmer who has spent countless hours in reverse engineering assembly and arm instruction executables just for the joy of learning. Peter has several years of experience as a web developer, software developer, database architect, and hardware technician. His recent years were dedicated to the Virtual Reality/Gaming industry experience, working with such companies as Create, Sony Pictures, and the developers of Unreal Engine 4, Epic Games. Peter's most recent VR project was Can You Walk The Walk?, which won Digital Hollywood's "Best In Virtual Reality Based on a Cinematic or Television Experience" award.

Jie Feng

Jie Feng is originally from Jiaxing, China. He is currently a PhD candidate at Columbia University, specializing in machine learning and computer vision. He has conducted research on problems ranging from detecting and recognizing objects in images and retrieving similar images from large-scale databases to understanding human behavior in videos. Jie's work has been published at top international conferences, and he has been granted a U.S. patent. He is also a software designer and developer and has worked at Microsoft, Amazon, and Adobe. Jie is passionate about applying Artificial Intelligence to real-world problems. His project using Microsoft Kinect to analyze motion for fitness has won People's Choice Award at Innovative Health Tech NYC competition, 2013. Jie is currently working on a fashion discovery product named EyeStyle. Video games are the very thing that motivated him to study computer science. His favorite genre is action adventure. Titles including Resident Evil, Tomb Raider, and Uncharted inspire him in innovative thinking. This book is a unique experience for Jie to put his knowledge on Artificial Intelligence to game design and examine the potential of creating intelligent characters using Unreal Engine 4.

Most helpful customer reviews

8 of 11 people found the following review helpful.
Fails spectacularly at teaching
By Amazon Customer
While the author(s) of this book seem extremely well-versed in the unreal engine, they are significantly worse at teaching the material they cover. More often then not, this book makes the mistake of "showing" you how to program a task instead of "teaching" you how to do it. While I can dutifully copy the AI behaviors detailed in the lessons, I often find myself no closer to understanding how and why these behaviors work. A standard lesson looks something like this:

1. Pull from the Array Element pin and search for Cast to MyCharacter.
2.Then, pull from the As My Character pin and search for Get Controller.
3.Get the class of the controller using the Get Class node.
4.Compare the Hero class with the Class = Class node.
5.Pull from the return of Equal and create a Branch node.
etc...

While this might seem all well and good, the "teaching" aspect of this book completely falls apart when you realize that there are no explanations as to why I should use many of the nodes. Why do I need to use the Class = Class node? What is logically going on in this blueprint (yes, they don't supply answers for questions this basic)? If, when looking at this example, you find yourself asking any questions, you will be sorely disappointed by the lack of answers. While the authors of this book might know everything there is to know about Unreal, they certainly don't know how to teach it. A plethora of typos, missing steps, and incorrect words only compounds on the frustration.

All told this book seems like a rushed cash grab. While the pages look like slides you would see in a programming class, there is no teacher to guide you through the process.

Sidenote: The 5 star review of this book comes from an account that just writes cookie-cutter plugs for all packt publishing's books. It in no way reflects the quality of this content.

0 of 5 people found the following review helpful.
Power book for better games.
By Hugo
Unreal engine is a powerful AAA cross platform game engine that enable you to develop high quality games, this book teach me how to use blueprints visual tool to build my game logic, this is amazing how much you can achieve, Unreal already have a great set of tools that provide common AI, this book explain some of them, enabling me to apply their in my game easily without any line of code, I like to code, but to implement AI only in code I would have to spend much more time and effort. The book starts from foundations of AI in game development, after that you will start from basic techniques, teaching how these features work, giving you the idea of where to use it and the possibilities that you achieve combining these features with other to create more complex interesting behaviors like movements, randomness, probabilities, behavior trees, sensors, path followings and others. This can make your game so much fun and immersive, your players will have a much better gaming experience and you be proud of your work. This book has a great structure and if you never worked with game AI programming in Unreal Engine you will feel comfortable as you read this because the author has explained almost from scratch all the concepts and techniques, I think this way you learn for sure and be able to extend what you know, the game AI is almost limitless.

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Senin, 25 Maret 2013

[Z316.Ebook] Get Free Ebook The Cavalry of the Roman Republic, by Jeremiah B. McCall

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In this original and revealing work, Jeremiah B. McCall challenges the generally accepted view of the Roman cavalry and explores the fundamental connections between war and society in republican Rome, c.300-100 BC.
McCall describes the citizen cavalry's equipment, tactics, and motivation in battle, and argues for its effectiveness in the field. This success is proof that it cannot finally have been disbanded for purely military reasons; he shows that victories in the law-courts, and lavish displays of wealth, came to supersede cavalry service as a way of building the reputations of the Roman elite.
The clear structure and fresh approach of the book, combining insights from both Roman military and social history, will be useful to readers at all levels of study.

Sales Rank: #4033567 in Books
Published on: 2011-01-30
Released on: 2011-01-31
Original language: English
Number of items: 1
Dimensions: 8.50" h x .48" w x 5.50" l, .60 pounds
Binding: Paperback
208 pages

Review

'The first serious treatment of Republican cavalry since ... 1877 ... the book offers an alternative way into thinking about the big changes in Roman society in the last three centuries B.C. This engaging short work will be the first port of call for its subject.' - The Classical Review

'This book is a clearly written and important study of a neglected topic ... it makes a unique and valuable contribution to the military and social history of the Republic.' - Journal of Roman Studies

Most helpful customer reviews

1 of 1 people found the following review helpful.
First rate text on a little known subject
By Ben Kane
As many people know, information on the citizen cavalry of the mid Roman Republic is hard to come by. Ancient history, with its patchy details, is wide open to interpretation of one kind or another. Sometimes these interpretations become the accepted 'way things were', even if there's no real proof to back up the conclusions are made.

A case in point is the subject of this little volume, by Jeremiah McCall. Citizen cavalry, the Republic's staple mounted force from the fifth century BC until the first, had disappeared by the time of Julius Caesar and Pompey Magnus. Until this excellent text came along, the widely held belief was that Roman citizen cavalry had become inferior to the enemies it faced, and was therefore dispensed with.

As McCall cogently argues, there is no hard proof for this at all, and in fact, the evidence points to the Roman citizen cavalry being, for the most part, just as good as the enemies they faced. When they weren't - for example in the Second Punic War - changes were made. (This is when McCall moots that the much debated change of equipment and weaponry took place.) The theory he comes up with for the demise of the citizen cavalry is also sensible: that by the first century BC, the route to success, fame and fortune for young equestrians no longer began with service in the cavalry, but in the political world.

Just seven chapters long, this text is well-written and presented. There is an exhaustive set of notes at the back mentioning all its classical sources. With its well-made challenge to another common assumption about Rome, it's a 'must read' for anyone interested in the Roman Republic's armies. And the good news is that a paperback edition is scheduled for March 2011. Bringing the price down significantly will definitely make it worth purchasing.

Ben Kane, author of The Forgotten Legion.

0 of 0 people found the following review helpful.
Good, although not entirely convincing
By JPS
This is a short book - 150 pages of text, annexes included - but nevertheless a valuable one on the cavalry of the Roman Republic between 300 and 100 BC. Essentially, the author seeks to make three main points.

The first is that, contrary to an assumption initially surfaced by historians but never really demonstrated, Roman citizen and Italian allied cavalry were not inefficient. The second is that it was even able to adapt and evolve in order to keep being efficient and that its efficiency was largely due to its aggressive tactics based on Roman war ethos. The third is that the disappearance of Roman and Italian cavalry therefore did not happen because it was efficient but for other reasons that the author believes to have identified and following a period of particular stress on Roman manpower.

The main value of this little book is that the author has mustered sufficient elements on each of the points and conducted his investigation in such a way that he makes an intriguing, and often a very good case. A related item is that the author is however honest enough to recognise in a number of instances that the points he makes are often not backed by evidence simply because there isn't any. Even when the points seem very plausible or very likely, there are therefore interpretations or even speculations if you happen to dislike or disagree with them. What is interesting, however, is that there may be no less "speculative" than the statements which have become "conventional wisdom" and according to which Roman cavalry under the Republic was of poor quality because the Romans were no horsemen and that this is why Rome replaced Roman and Italian cavalry by auxiliaries drawn from conquered people such as the Spaniards, Gauls, Thracians or Batavians, to mention only those.

As the author demonstrates rather convincingly, the poor reputation earned by the Roman cavalry goes back to the Second Punic War where they were comprehensively defeated as the Tessin, at the battle of Trebia and then at Cannae. They also lost another cavalry engagement against the Macedonians but won just as comprehensively their cavalry battles at Zama and at Magnesia. This is where I had a bit of a problem with the author's views. While it is easy to agree with him that the defeats against Hannibal may have occurred partly because the Carthaginians were better lead and outnumbered the Roman and allied cavalry, this was not necessarily the case against the Macedonians. Moreover, and in all fairness, the Carthaginian cavalry was also heavily outnumbered at Zama, a point that Jeremiah McCall fails to make. As for the battle of Magnesia, the Romans did get the better of the Seleukid cavalry opposing them, but their numbers included some 700 Hellenistic heavy cavalry from Pergamon (out of 3000). Moreover, they were commanded by King Eumene and they won against an enemy cavalry that was already disordered. Again, none of the points are made by the author. Accordingly, the author is certainly correct in stating that the Roman cavalry may not have been as ineffective as some have made it out to be. However, neither was its track record as excellent as he may want to convince us.

One last comment here is that part of the discussion related to numbers is simply missing from the book. Simply put, one reason for the Romans to increasingly use non-Roman and then non-Italian cavalry is simply that they did not have enough of their own, regardless of whether it was as efficient as that of their opponents or not. This can be seen in the organisation of the legions of the Republic, with the Romans only Fielding 300 citizen cavalry per legion while requiring their Italian allies to field twice or three times more than them. Even that, however, was not necessarily enough, with Scipio making use of allied Numidians at Zama and Roman generals having use of Hellenistic allied cavalry in Greece and Asia Minor during the second century.

The second point made by the author is about the Roman and Italian cavalry's ability to adapt and, more precisely, to become armoured cavalry after Cannae while still preserving its aggressive tactics of fighting hand-to-hand.

Here, the author essentially assumes that Roman and Italian cavalry were essentially unarmoured at least up to the battle of Cannae included (that is up to 216 BC) and that as a result of "lessons learnt" from this defeat against their Carthaginian opponents, they adopted body armour. This is where the author's assumptions become rather unconvincing. As the author shows very well, both Roman and Italian cavalrymen belonged to the elites of their respective cities, as had been the case throughout Antiquity in many other civilisations, if only because having a horse was expensive and therefore limited to those who could afford it. A similar comment can be made about body armour. It was also costly and also reserved under the Middle Republic to those who could afford it. To try to justify and explain why Roman and Latin cavalry would lack body armour while their Greek, Macedonian and Carthaginian opponents did not, the author is then obliged to come with rather unconvincing explanations about their special tactics of often fighting dismounted, and the handicap that metallic body armour would represent in doing so. There are, however, three and perhaps even four issues which the author fails to discuss or even mention.

First, while Roman and Latin cavalry may have avoided wearing metallic armour which could be burdensome and cramp their ability to mount and dismount during hand to hand engagements, especially against other cavalry, this does not necessarily imply that they were not wearing any body armour. They may very well have had leather or linen cuirasses, for instance. They certainly had the means to equip themselves with them and their status, on which the author insists so much, would also probably ensure that they were as best equipped as they could.

Second, the whole case for Roman and allied cavalry's ability and willingness to fight on horseback and to dismount and fight on foot is also unconvincingly argued. While there may have been cases where this happened during skirmishes, the sources do not really help to identify them. Contrary to the author's statement, it is not certain that this occurred at Cannae, for instance. Moreover, and contrary to what the author claims, the advantages that could be obtained by dismounting part of one's light cavalry to fight against enemy cavalry in an open melee are not as one sided as they are made to be. The risks, which are not mentioned, were simply to be knocked down by the enemy horses, or even trampled if these were trained to do so or unable to avoid the obstacle.

A third issue is the impression that the author, in his eagerness to make his point, comes up with a somewhat artificial and simplistic divide between Roman and Italian cavalry, who are presented as willing or even eager for hand-to-hand fighting, and their enemies who almost seem to have preferred javelin throwing and fighting. The points about Roman "heroic" fighting, and the benefits associated with outstanding bravery are well made. The very positive effects that this could have for young bluebloods' reputations and future political careers are clear and, in the case of rare very well made. One cannot help wonder, however, to what extent this was not also the case for Greek citizen cavalry or Gallic nobles. Neither seems to have been exactly timid or particularly reluctant to fight their enemies up close.

A fourth point where there is some uncertainty concerns Roman and Italian cavalry's arms, equipment and tactics before and after the alleged reform. From a somewhat obscure passage in one of the surviving sources, the author concludes that this equipment, in particular the smallish and flimsy shield and a rather weak spear, were of poor quality and therefore replaced. Rather than depicting such equipment as inadequate per se, as the author does, its replacement could simply illustrate the shift from light to heavier cavalry.

Finally, there is the author's third contention. He quite plausibly identifies the disappearance of Roman and Allied cavalry and their replacement by (non-Italian) auxiliaries with the Social War and the huge constraints this placed on the Romans. He also explains in a very interesting and convincing way why this emergency measure was never reversed by showing that, by the first century BC, Roman and Italian elites no longer needed to display "heroic" deeds in order to get noticed. Good rhetoric as a lawyer, patronage together with pots of money, were enough to get elected.

This part and the one describing the traditional warlike ethos of the Roman and Italian aristocracies are perhaps the most convincing of the book. The others, even if less so, were nevertheless thought provoking and interesting, even when speculative. Four stars.

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Minggu, 24 Maret 2013

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The double christening of her sisters' two kids gets Holly Bennett thinking. She would seriously love to have a baby one day, but for the first time in ages being adopted has become a stumbling block for her. Does she want to start a family of her own when she doesn't even know who she really is or where she's come from?

With an on-off boyfriend who she's swiftly falling out of lust with, Holly decides to move back to her home town to be near her adoptive family. Who knows, it may be the change she needs to get her life back on track - and the place to be if she wants to begin tracing her roots.

But these roots prove trickier to trace than Holly has expected. That is, until she hires her own oh-so-sexy private investigator to take charge...

Sales Rank: #9722135 in Books
Brand: Brand: Piatkus
Published on: 2010-01-27
Original language: English
Number of items: 1
Dimensions: 7.83" h x .88" w x 5.00" l, .55 pounds
Binding: Paperback
352 pages

Features

Used Book in Good Condition

Review

"Zoë Barnes writes wonderfully escapist novels, firmly based in reality." —Express

"An author who gets better with each novel." —Bookseller

"Lively and compulsive." —Mirror

About the Author
Zoë Barnes' varied career included stints as a hearing-aid technician, shorthand teacher, French translator and the worst accounts clerk in the entire world. When not writing her own novels, she translated other people's and also works as a semi-professional singer. She died in autumn 2009.

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0 of 0 people found the following review helpful.
Enjoyed it
By Denise Cusick
Enjoyable, although it was predictatable at times. Easy read. Just what I needed with only one week off between my classes.

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Senin, 18 Maret 2013

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Self improvement series.

Sales Rank: #1474931 in Books
Brand: Brand: Llewellyn Publications
Published on: 1951-01-01
Original language: English
Number of items: 1
Dimensions: 8.00" h x 5.25" w x .75" l,
Binding: Paperback
192 pages

Features

Used Book in Good Condition

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Five Stars
By Ronin
A great book from W.W. Hewitt

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Published on: 1600
Binding: Paperback

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Kamis, 14 Maret 2013

[Z938.Ebook] PDF Download Letters of Edna St. Vincent Millay, by Allan Ross MacDougall (Editor)

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Letters, Literary Studies, Women's Studies

Sales Rank: #3132108 in Books
Published on: 1952
Binding: Paperback
384 pages

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1 of 1 people found the following review helpful.
Beautiful collection- must have for fans
By recyclability
Beautifully put-together. I'm only about halfway through, but it's a fascinating way to read about E St V M's life. Great insights as to who she was and how she wrote. I'd recommend following along by reading the poems and stories she mentions in the letters.

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The intent of this book is to examine the psychological and social worlds of physically ill patients-an area that particularly needs attention today, since the great advances in medical science have caused many to minimize pa tients' emotional concerns. However, the pendulum has begun to swing back to the interrelationship of body and mind. Quality of life is again becoming a critical consideration in treatment. In writing the book I have drawn upon my own clinical experiences as a psychologist working with the physically ill. I have also drawn upon studies of the psychological factors in medical illness, and I was pleased to find a growing body of research. Although the book is primarily directed to psy chotherapists, it will benefit anyone involved in the care of those with medical problems, such as family and friends, as well as medical professionals. vii Acknowledgments I would particularly like to thank Redjeb Jordania for his endless patience, support, and encouragement from the very beginning of this project, and for his valuable suggestions and editorial comments along the way.

Sales Rank: #4964131 in Books
Published on: 1989-01-31
Original language: English
Number of items: 1
Dimensions: 9.21" h x .63" w x 6.14" l, 1.19 pounds
Binding: Hardcover
236 pages

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Rabu, 06 Maret 2013

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Peter Messenger was made for trouble. He was specially trained
in the art of death, even though he'd never killed anyone. But his skills
with his hands, a gun, or a knife were undeniable. And there was only one
person he planned to use them on: Summer Day, the wily medicine man who had
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Peter will have to take on the whole Blackfoot nation...and hope his
extraordinary talents are enough to stay alive against the wrath of an
entire tribe.

Sales Rank: #470837 in eBooks
Published on: 2007-04-30
Released on: 2007-02-15
Format: Kindle eBook

About the Author
Max Brand's action-filled stories of adventure and heroism in the American West continue to entertain readers throughout the world. Brand penned over 200 full-length Westerns in his career, including Destry Rides Again and Montana Rides. Several of his novels are available from Brilliance Audio.

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0 of 1 people found the following review helpful.
Great western
By Barbara Peacock
Good read. Love the action.

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Selasa, 05 Maret 2013

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Introducing D.L. Moody

Fourteen-year-old Casey Watkins wants nothing more than to escape his family’s dreary, bare-bones life in the Philadelphia of 1893. When he learns of an opening in Adam Forepaugh’s Circus, it seems like the perfect escape, and he convinces his mother and sister to join with him. Then "The Flying Eugenes," a family of trapeze artists, offer Casey a role in their death-defying act, and he is elated. Flying on the trapeze is more exciting than he ever dreamed!

The pressure is on-Casey has only a few weeks to learn the act before the circus arrives in Chicago in time for the famous World’s Fair. Once in Chicago, the boy is fascinated by D. L. Moody, the dynamic evangelist who preaches to standing-room-only crowds in the circus Big Top Sunday mornings. Casey never imagined that church could be more popular than the circus! But then a dangerous accident leaves him paralyzed with fear, and he runs to Moody looking for a way out. Will the evangelist be able to help him?

The circus is counting on him . . . what if he falls?

An adventure story, ideal for readers 8-12 years of age.

Sales Rank: #694336 in eBooks
Published on: 2011-10-16
Released on: 2011-10-16
Format: Kindle eBook

From School Library Journal
Grade 3-6?Christian teachings are the focus of this story set in Philadelphia in 1893. Fourteen-year-old Casey, his sister, and mother live with his stern uncle and aunt after his father's death. Their situation changes when the boy is offered a job with the circus, cleaning out elephant stalls. His sister and mother soon join the troope, and the family is no longer under the tyrant's rule. When Casey becomes part of a daredevil trick in a trapeze act, he falls. Convinced he has let everyone down, he wants to quit. Enter the purpose of this book: to introduce "...Christian heroes of the past." Evangelist D.L. Moody guides his followers to "accept Christ"; through his encouragement and help, Casey perfects his act and also gets a scholarship to a Christian school. Black-and-white drawings illustrate dramatic events. The message is heavy-handed and the characters are flat, but there is a lot of action. An additional purchase for libraries needing Christian fiction.?Renee Steinberg, Fieldstone Middle School, Montvale, NJ
Copyright 1995 Reed Business Information, Inc.

From Booklist
Gr. 6^-8. Fourteen-year-old Casey, who has recently lost his father, convinces his family to join the circus to escape a dreary life with pious, moralistic relatives. Casey trains on the trapeze, while his mother, an accomplished horsewoman, rides for the circus. Arriving at the Chicago World's Fair, Casey hears evangelist D. L. Moody reveal a fresh perspective on God's loving nature. When Casey misses a difficult trapeze maneuver, he loses courage and quits. He's challenged by Moody, who insists that God does not use quitters. When Casey tries the maneuver again, he succeeds and resolves to learn more about God. The narrative is wooden, and although several anecdotes about Moody are given, the reader does not gain a real sense of the man. Descriptions of the circus and the nineteenth-century backdrop will interest some readers, however, as will the biographical sketch of Moody that the authors have included. There's also a bibliography. Shelley Townsend-Hudson

About the Author
Dave and Neta Jackson are full-time writers and editors whose talented work on the TRAILBLAZER BOOKS has earned them numerous awards and worldwide acclaim. They are the parents of two adult children and make their home in Illinois.

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1 of 1 people found the following review helpful.
Highly recommended!
By The Reviewer Formerly Known as Kurt Johnson
This book is part of the Trailblazer Series, in which young people of the period (and as such your young reader) meet Christian heroes of the past. In this book, fourteen-year-old Casey Watkins grows tired of living under the thumb of his self-righteous uncle, and finds jobs for himself and his widowed mother with Forepaugh’s Circus. While the circus tours the country, headed for Chicago and the Columbia Exposition of 1893, Casey is able to join the trapeze act. Arriving in Chicago, Casey meets that dynamic evangelist, Dwight Lyman Moody. Casey is fascinated by Moody, and when he panics during a trapeze act, and loses his confidence, he finds himself turning to Moody, and God.

This is a very nice book. I was fascinated by the Jacksons’ characterization of D.L. Moody, and enjoyed the story immensely. My nine-year-old son also enjoyed the book, and we both highly recommend it to you!

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