[J241.Ebook] Free PDF Minecraft -- Volume Alpha: Sheet Music Selections from the Video Game Soundtrack (Piano Solos)From Alfred

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With more than 20 million players worldwide, Minecraft ranks among the world's most popular video games. Its soundtrack by Daniel "C418" Rosenfeld is one of the world's most recognized and beloved video game scores, and this book lets pianists bring the music to life! Titles: Key * Door * Subwoofer Lullaby * Death * Living Mice * Moog City * Haggstrom * Minecraft * Equinoxe * Mice on Venus * Dry Hands * Wet Hands * Clark * Chris * Excuse * Sweden * Danny * Beginning * Droopy Like Ricochet.

• Sales Rank: #118658 in Books
• Brand: Alfred
• Model: 00-42252
• Published on: 2013-07-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 9.00" w x .25" l, .1 pounds
• Binding: Paperback
• 44 pages

Features

• Category - Piano Collection
• Format - Book
• Instrument - Piano
• Version - Piano Solos

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4 of 4 people found the following review helpful.
True to the Recordings
By Mr. Exxion
This book is better than I even hoped it would be. Each one of these pieces is a carbon copy of the original songs as heard on C418's Minecraft: Volume Alpha. Original key signatures, rhythms, and time signatures are all kept. I haven't been able to find anything to the contrary, so it's likely this book was arranged by the composer himself. This is not a watered-down version, and so is NOT going to be suited for less-experienced pianists. (I'm looking at a piece with 6 flats, and there's another in 7/4 time... you get the idea) However, skimming through this I can tell that each of these pieces is totally playable if you're good enough or work hard enough.

However, I sincerely wish more piano adaptations of game/movie soundtracks were this accurate. I don't care that it's challenging. Heck, I'm thoroughly excited! If you like the original music, then you'll LOVE the opportunity to play them as you hear them, and will, with significant practice and discipline, learn a lot along the way.

I am by no means a pianist. I'm self-taught and have learned to play a small handful of what you might call intermediate-level pieces. This book has challenging parts, that's for sure, and I'll have to work up to them, but there is a good variety of difficulties present. At the moment, I'm just picking my way through the easier sections (there're plenty enough) and still getting to hear solid chunks of phrases that I totally recognize from the game. Eventually, I'll pick the song that seems the most reachable and do what I've done with all the other songs I've learned: practice and persevere! Someday I'll be able to play the whole book.

On another note, I would love to see a beginner-level book of this music. So many kids play this game, and if it gets a kid (or enthusiastic adult) actually wanting to learn the piano, then I'm all for it. I know a fair number of kids (mum teaches beginner-level piano) that would be all for it. She can't wait to show them this book, even if at the moment it will be just an incentive to keep learning. She may even water sections down herself, break it into a duet, etc. They'd love it.

For those with a Spotify account (you can make one for free), this is a link to the album on Spotify's web player:
http://open.spotify.com/album/3Gt7rOjcZQoHCfnKl5AkK7
That is what you'll be learning to play.

-Mr. Exxion

3 of 3 people found the following review helpful.
Intermediate to Advanced Mood Music
By B. Newman
Purchased for my teen daughters who have been playing piano for 8 years. As a point of reference they are on level four of the Faber method books and are accomplished on multiple instruments. They report this sheet music is definitely not for a beginner. My eldest could immediately play a number of them, some of them required a little noodling through. She says the key signatures of a number of the pieces would definitely be trickier for a less experienced student, and the left hand on a few of them is particularly challenging. With that said, the music is very enjoyable. Terrific mood music at just the right level to give them a slight challenge with something new and fun. Direct quote from her, "Some of them are easy to play fingering-wise but the key signatures are so bizarre they would be confusing for a beginner. For instance one of the pieces, Minecraft, has a fingering that is almost the same throughout but the key signature has 6 sharps which is probably a bit much for a beginner."

3 of 3 people found the following review helpful.
Good variety of songs
By Amazon Customer
Very advanced piano music, for at least 4th to 5th level. Bought this for my 12 year old, who is 3rd level piano player and been taking lessons for almost 4 years. He will not be able to play this for some time. Good variety of songs, but recommend for advanced player.

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[Y328.Ebook] Download PDF The Mediterranean City in Transition: Social Change and Urban Development (Cambridge Human Geography), by Lila Leontidou

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The transition from feudalism to capitalism has occurred in many different ways and the variety of forms and methods of this transition is particularly evident in Southern Europe. Focusing on Greater Athens between 1948 and 1981--the crucial period of transition--the author explores the role of social classes in urban development in the cities of Mediterranean Europe. Based on extensive research, the book presents for the first time a history of the Greek urban popular classes during the twentieth century. The author challenges urban growth models based on the Anglo-American experience and convincingly presents her own theoretical framework combining economic and ecological considerations with Gramsci's theories of culture, spontaneity, and informality.

• Sales Rank: #6026218 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1990-04-27
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .87" w x 5.98" l, 1.28 pounds
• Binding: Hardcover
• 316 pages

Features

• Used Book in Good Condition

Review
"Using secondary sources for comparisons with other Mediterranean cities and archival studies for Athens, Leontidou has amassed considerable evidence--much of it presented in tables and maps--about how working-class migrants provided shelter for themselves in an unregulated building economy. Taken as an empirical account, Leontidou's book fills a gap in the literature." Josef W. Konvitz, Journal of Interdisciplinary History

About the Author
Chris Couch is Professor of Urban Planning; and Head of Planning and Housing Studies - Liverpool John Mores University

Dr Lila Leontidou is a Professor of Geography - Hellenic Open University and University of the Aegean

Dr Gerhard Petschel-Held was formerly based at the Institute of the Sociology of Spatial Planning - Vienna University of Technology

Ron Johnston is Professor of Geography in the School of Geographical Sciences at the University of Bristol.
Derek Gregory is Professor of Geography at the University of British Columbia.
Geraldine Pratt is Professor of Geography at the University of British Columbia.
Michael Watts is Professor of Geography at the University of California, Berkeley.

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[G593.Ebook] Get Free Ebook The Cube of Space Workbook, by Joy Nur

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The Cube of Space Workbook seeks to make the Cube-a symbol that illuminates the esoteric meaning of the Hebrew alphabet and the Major Arcana of the Tarot-more accessible to students of the Qabalah and Tarot. As author Joy Nur worked with this symbol, she found correspondences with directional attributions in a variety of traditions. This workbook is designed to deepen the student's understanding of the Tarot Keys and discover practical ways to apply the insights revealed by a study of the structure of the Cube of Space. As the cube is a symbol of three-dimensional reality and Tarot images are archetypal symbols for human states of consciousness, study of this symbol also sheds light on the human condition and the workings of the mind. The directional attributions also relate to cycles of life and give clues about the universal desire for a return to the Source of our being and the search for the meaning of life. While this workbook is designed to offer readers the opportunity to make their own discoveries, Nur's brief commentary on each view of the Cube of Space offers seed ideas for contemplation that come from her own meditative efforts.

• Sales Rank: #798357 in Books
• Published on: 2012-04-24
• Released on: 2012-04-24
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .25" w x 8.50" l, .56 pounds
• Binding: Paperback
• 104 pages

About the Author
Joy Nur has been a student of Qabalah and a member of Builders of the Adytum since 1978. During her studies, meditation on the Cube and its Tarot correspondences brought her rich insight. Joy is now living in Carbondale, Illinois, and continuing her spiritual practice as a member of an intentional Sufi community.

Most helpful customer reviews

4 of 4 people found the following review helpful.
New perspective for someone interested in Qabalah or Tarot
By Joy
Book provides a profound meditation tool for students of Tarot by presenting new relationships between the symbolism of the major arcana of Tarot as they relate to the Cube as a symbol for human reality. By presenting seed ideas and provocative questions for contemplation, the reader is led to a deeper understanding of Tarot symbolism and an understanding of the meaning of life cycles in the context of spiritual evolution.

2 of 2 people found the following review helpful.
Excellent Introductory Study Guide
By Min
The very depth of the Cube of Space imagery and study is tough to begin, with little or no foundation. Joy Nur elegantly handles the basic concepts, and offers them in an easily digestible, visual method. The accompanying study questions help ignite further thought and insight.
Highly recommended for anyone struggling with the larger concepts and beginners interested in the idea of a new perspective on the Tree of Life, the Universe, and the Tarot.

5 of 7 people found the following review helpful.
Cube of Space too small for kindle
By Amazon Customer
The book may be fine, but you should order in paper book form. The diagrams are impossible to see clearly on the small screen of the kindle, even with enlarger.

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[J328.Ebook] Get Free Ebook Pearson's Federal Taxation 2017 Comprehensive (30th Edition), by Thomas R. Pope, Timothy J. Rupert, Kenneth E. Anderson

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For courses in the Principles of Taxation.

Assist Readers in Mastering the Principles of Taxation with the Latest Tax Regulations

The Rupert/Pope/Anderson series is unsurpassed in blending technical aspects of the most recent federal taxation mandates with maximum readability and relevance for readers. Containing strong pedagogical tools that enable readers to apply tax principles within the text to real-life situations, and tax information from 2015 and early 2016, Pearson’s Federal Taxation 2017 Comprehensive, Thirtieth Edition provides a better learning experience.

Note: You are purchasing a standalone product; MyAccountingLab® does not come packaged with this content. Students, if interested in purchasing this title with MyAccountingLab, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.

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• Sales Rank: #317451 in Books
• Published on: 2016-04-16
• Original language: English
• Dimensions: 10.80" h x 1.50" w x 8.50" l, .0 pounds
• Binding: Hardcover
• 1600 pages

About the Author

Timothy J. Rupert

Timothy J. Rupert is a Professor and the Golemme Administrative Chair at the D’Amore-McKim School of Business at Northeastern University. He received his B.S. in Accounting and his Master of Taxation from the University of Akron. He also earned his Ph.D. from Penn State University. Professor Rupert’s research has been published in such journals as The Accounting Review, The Journal of the American Taxation Association, Behavioral Research in Accounting, Advances in Taxation, Applied Cognitive Psychology, Advances in Accounting Education, and Journal of Accounting Education.

 

He currently is the co-editor of Advances in Accounting Education. In 2010, he received the Outstanding Educator Award from the Massachusetts Society of CPAs. He also has received the University’s Excellence in Teaching Award and the D’Amore-McKim School’s Best Teacher of the Year award multiple times. He is active in the American Accounting Association and the American Taxation Association (ATA) and has served as president, vice president, and secretary of the ATA.

 

Thomas R. Pope

Thomas R. Pope is the Ernst & Young Professor of Accounting at the University of Kentucky. He received a B.S. from the University of Louisville and an M.S. and D.B.A. in business administration from the University of Kentucky. He teaches international taxation, partnership and S corporation taxation, tax research and policy, and introductory taxation and has won outstanding teaching awards at the University, College, and School of Accountancy levels. He has published articles in The Accounting Review, the Tax Adviser, Taxes, Tax Notes, and a number of other journals. Professor Pope’s extensive professional experience includes eight years with Big Four accounting firms. Five of those years were with Ernst & Whinney (now part of Ernst & Young), including two years with their National Tax Department in Washington, D.C. He subsequently held the position of Senior Manager in charge of the Tax Department in Lexington, Kentucky. Professor Pope also has been a leader and speaker at professional tax conferences all over the United States and is active as a tax consultant.

 

Kenneth E. Anderson

Kenneth E. Anderson is the Pugh CPAs Professor of Accounting at the University of Tennessee. He earned a B.B.A. from the University of Wisconsin—Milwaukee and subsequently attained the level of tax manager with Arthur Young (now part of Ernst & Young). He then earned a Ph.D. from Indiana University. He teaches corporate taxation, partnership taxation, and tax strategy. Professor Anderson also is the Director of the Master of Accountancy Program. He has published articles in The Accounting Review, The Journal of the American Taxation Association, Advances in Taxation, the Journal of Accountancy, the Journal of Financial Service Professionals, and a number of other journals.

 

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0 of 0 people found the following review helpful.
No E-code included with "New" purchase.
By Cameron Kuipers
Pretty unhappy with the product. I bought it for $280 for a NEW copy and it came without the attached code. The product was not listed as new without code it was just listed as new so it should have had the accompanied code that now has cost me $80 for my it lab.

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Five Stars
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This was the correct boom and it was shipped fast

1 of 2 people found the following review helpful.
This is a terrible text book
By Amazon Customer
This is a terrible text book. Our professor even complains about how bad the book is. However it's one of the few that can be purchased in Canada. Complicated items are not explained in a simple manner showing that the authors have a lack of understanding or lack of connection with users. It is boring, adds very little value, and riddled with errors. If your goal is to learn more about tax and you don't need this book for a class then it would be better just to go to the IRS website and read the tax code or use google searches rather than buy this book. This book appears to exist for the sole purpose of Pearson offering a US tax book and so that a university class technically has a text book associated with it.

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Pearson's Federal Taxation 2017 Comprehensive (30th Edition), by Thomas R. Pope, Timothy J. Rupert, Kenneth E. Anderson PDF
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[I125.Ebook] Download A History of Mathematics, by Jeff Suzuki

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Blending relevant mathematics and history, this book immerses readers in the full, rich detail of mathematics. It provides a description of mathematics and shows how mathematics was actually practiced throughout the millennia by past civilizations and great mathematicians alike. As a result, readers gain a better understanding of why mathematics developed the way it did. Chapter topics include Egyptian Mathematics, Babylonian Mathematics, Greek Arithmetic, Pre-Euclidean Geometry, Euclid, Archimedes and Apollonius, Roman Era, China and India, The Arab World, Medieval Europe, Renaissance, The Era of Descartes and Fermat, The Era of Newton and Leibniz, Probability and Statistics, Analysis, Algebra, Number Theory, the Revolutionary Era, The Age of Gauss, Analysis to Mid-Century, Geometry, Analysis After Mid-Century, Algebras, and the Twentieth Century. For teachers of mathematics.

• Sales Rank: #1083006 in Books
• Published on: 2001-11-10
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 1.60" w x 8.00" l, 3.40 pounds
• Binding: Paperback
• 832 pages

From the Back Cover

Blending relevant mathematics and history, this book immerses readers in the full, rich detail of mathematics. It provides a description of mathematics and shows how mathematics was "actually practiced" throughout the millennia by past civilizations and great mathematicians alike. As a result, readers gain a better understanding of why mathematics developed the way it did. Chapter topics include Egyptian Mathematics, Babylonian Mathematics, Greek Arithmetic, Pre-Euclidean Geometry, Euclid, Archimedes and Apollonius, Roman Era, China and India, The Arab World, Medieval Europe, Renaissance, The Era of Descartes and Fermat, The Era of Newton and Leibniz, Probability and Statistics, Analysis, Algebra, Number Theory, the Revolutionary Era, The Age of Gauss, Analysis to Mid-Century, Geometry, Analysis After Mid-Century, Algebras, and the Twentieth Century. For teachers of mathematics.

Excerpt. © Reprinted by permission. All rights reserved.
The Mathematics of History

The author of a text on the history of mathematics is faced with a difficult question: how to handle the mathematics? There are several good choices. One is to give concise descriptions of the mathematics, which allows many topics to be covered. Another is to present the mathematics in modern terms, which makes clear the connection between the past and the present. There are many excellent texts that use either or both of these strategies.

This book offers a third choice, based on a simple philosophy: the best way to understand history is to experience it. To understand why mathematics developed the way it did, why certain discoveries were made and others missed, and why a mathematician chose a particular line of investigation, we should use the tools they used, see mathematics as they saw it, and above all think about mathematics as they did.

Thus to provide the best understanding of the history of mathematics, this book is a mathematics text, first and foremost. The diligent reader will be classmate to Archimedes, al Khwarizmi, and Gauss. He or she will be looking over Newton's shoulders as he discovers the binomial theorem, and will read Euler's latest discoveries in number theory as they arrive from St. Petersburg. Above all, the reader will experience the mathematical creative process firsthand to answer the key question of the history of mathematics: how is mathematics created?

In this text I have emphasized:

Numeration, computation, and notation. Notation both limits and guides. Limits, because it is difficult to think "outside the notation"; guides, because a good system of notation can suggest relationships worthy of further study. As much as possible, I avoid the temptation to "translate" a mathematical result into modern (mathematical) language or notation, for modern notation brings modern ways of thinking. In a similar vein, the means of computing and expressing numbers guides what discoveries one may make, and ultimately influences the direction taken by mathematicians.

Mathematical results in their original form with their original arguments. The most dramatic change in mathematics over the past four millennia has been the standard of proof. What was acceptable to Pythagoras is no longer be acceptable today. The binomial theorem was, when Newton proposed it, nothing more than a conjecture, and while most of Euler's results on series summation are accepted today, his methods are not. But to provide a modern proof of a result would be historically inaccurate, while to omit how the these results were supported would be to neglect a vital part of the history of mathematics. To protect modern sensibilities, I will distinguish between proofs, where the term is used in the modern sense, and demonstrations, which contain some elements no longer acceptable in a modern context, and if a non-obvious result is presented without a proof, it will be labeled a conjecture.

Mathematics as an evolving science. The most important thing we can learn from a history of mathematics is that mathematics is created by human beings and not by semimythical demigods. The ideas of Newton, Euler, Gauss, and others originated from the mathematics they knew and the problems they saw around them; they made great contributions, but they also made mistakes, which were faithfully replicated (or caustically reviewed) by fellow mathematicians. Finally, no mathematical idea is born, fully mature and in the modern form: we will follow, where space and time permit, the development of mathematical ideas; through their birth pains, their early, formative years, and onwards to their early maturity and final, modern form.

To fully enter into all of the above for all of mathematics would take a much larger book, or even a mufti-volume series: a project for another day. Thus, to keep the book to manageable length, I have restricted its scope to what I deem "elementary" mathematics: the fundamental mathematics every mathematics major and every mathematics teacher should know. This includes numeration, arithmetic, geometry, algebra, calculus, real analysis, and the elementary aspects of abstract algebra, probability, statistics, number theory, complex analysis, differential equations, and some other topics that can be introduced easily as a direct application of these "elementary" topics. Advanced topics that would be incomprehensible without a long explanation have been omitted, as have been some very interesting topics which, through cultural and historical circumstances, had no discernible impact on the development of modern mathematics.

Using this book

I believe a history of mathematics class can be a great "leveler", in that no student is inherently better prepared for it than any other. By selecting sections carefully, this book can be used for students with any level of background, from the most basic to the most advanced. However, it is geared towards students who have had calculus. In general, a year of calculus and proficiency in elementary algebra should be sufficient for all but the most advanced sections of the present work. A second year of calculus, where the student becomes more familiar and comfortable with differential equations and linear algebra, would be helpful for the more advanced sections (but of course, these can be omitted). Some of the sections require some familiarity with abstract algebra, as would be obtained by an introductory undergraduate course in the subject. A few of the problems require critiques of proofs by modern standards, which would require some knowledge of what those standards are (this would be dealt with in an introductory analysis course).

There is more than enough material in this book for a one-year course covering the full history of mathematics. For shorter courses, some choices are necessary. This book was written with two particular themes in mind, either of whEch are suitable for students who have had at least one year of calculus:

1. Creating mathematics: a study of the mathematical creative process. This is embodied throughout the work, but the following sections form a relatively self-contained sequence: 3.2, 6.4.1, 9.1.5, 9.2.3, 11.6, 13.1.2, 13.4.1, 13.6.1, 17.2.2, 20.2.4, 20.3.1, 22.4.

2. Origins: why mathematics is done the way it is done. Again, this is embodied throughout the work, but some of the more important ideas can be found in the following sections: 3.2, 4.3.1, 5.1, 6.1.2, 9.2.3, 9.4.5, 13.6.1, 15.1, 15.2, 19.5.2, 20.1, 20.2.5, 22.1, 23.3.2

In addition, there are the more traditional themes:

3. Computation and Numeration: For students with little to no background beyond elementary mathematics, or for those who intend to teach elementary mathematics, the following sections are particularly relevant: 1.1, 1.2, 2.1, 3.1, 7.1, 8.1, 8.3.1, 8.3.2, 9.1, 10.1.2 through 10.1.4, 10.2.1, 10.2.6, and 11.4.1.

4. Problem Solving: In the interests of avoiding anachronisms, these sections are not labeled "algebra" until the Islamic era. For students with no calculus background, but a sufficiently good background in elementary algebra, the following sequence is suggested: Sections 1.3, 2.2, 5.4, 7.4, 8.2, 8.3, 9.2, 9.3, 10.2.2, 10.3.1, 11.2, 11.3, 11.5.1, and for the more advanced students, Chapter 16.

5. Calculus to Newton and Leibniz: The history of integral calculus can be traced through Sections 1.4.2, 4.2, 4.3.3, 4.3.4, 5.6, 5.9, 6.1, 6.3, 10.4, 11.4.3, 12.4, 12.3.2, 13.1.2, 13.2, and 13.4.2. Meanwhile, the history of differential calculus can be traced through Sections 5.5.2, 6.6.2, 12.1.1, 13.3, 13.5, 13.6.

6. Number theory: I would suggest Sections 3.2, 5.8, 7.4, 8.3.5, 8.3.6, 10.2.5, 12.2, and all of Chapter 17.

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0 of 0 people found the following review helpful.
Good
By Melissa Fay
Great book, lots of information if you want to know about mathematics. Takes a while to understand, however. Could use answers in the back of the book, too.

0 of 0 people found the following review helpful.
Five Stars
By Isaac Elimelech
Shipped quick and condition as stated. Would buy again. Thank you!

0 of 0 people found the following review helpful.
Four Stars
By Mr.94
Fairly well-written and not overly complex.

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[J478.Ebook] Download PDF Under the Andes, by Rex Stout

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This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare’s finesse to Oscar Wilde’s wit, this unique collection brings together works as diverse and influential as The Pilgrim’s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

• Sales Rank: #5718245 in Books
• Published on: 2013-09-26
• Original language: English
• Dimensions: 10.00" h x .61" w x 8.00" l,
• Binding: Paperback
• 270 pages

Review
Praise for Rex Stout:

''Rex Stout . . . raised detective fiction to the level of art. He gave us genius of at least two kinds, and a strong realist voice that was shot through with hope.'' --Walter Mosley, crime fiction best-selling author

About the Author
REX STOUT (1886-1975), inimitable master of detective fiction, wrote seventy-three mysteries and numerous novels and short stories. He is best known as the creator of the fictional detective Nero Wolfe. He was named a Grand Master by the Mystery Writers of America and received the Crime Writers Association's Silver Dagger Award.

Most helpful customer reviews

73 of 74 people found the following review helpful.
Of Historic Interest Only
By Gordon S. Jones
This is a very bad book, but one very much worth reading, at least for Rex Stout fans. It was written at the beginning of his career, when he was much under the influence of the adventure writers like Rider Haggard and Arthur Conan Doyle. It features all the outlandish elements of those books (beautiful women, romantic heroes, exotic locales, alien races), but much less deftly handled.
It is no surprise that after this fiasco, Stout took a long break before coming back with Fer de Lance, the first Nero Wolfe novels. Even then, he had not truly lost the brash, unsophisitcatd voice found in Under the Andes.
Don't read this book looking for a great plot, or nuanced characterization, or for the humor you will find in the Wolfe books. But if you love those books as I do, you might want to see how their author got to where he could write them.

25 of 26 people found the following review helpful.
Crude and monotonous early adventure novel by Rex Stout
By Sparky McShine
This reviewer loves Stout's sublime Nero Wolfe mysteries, and also the testosterone-fueled pulp adventure novels of Edgar Rice Burroughs, Arthur Conan Doyle, and their contemporaries. Unfortunately, Under the Andes, a very early outing by Stout, is almost embarassingly bad. It lacks the situational humor and subtle characterization that give the Nero Wolfe novels their timeless appeal, and it's not creative enough in its situations or plot to succeed as an adventure novel.

The story is told from the first-person point of view; it involves the aristocratic hero, his younger brother, and a supremely desirable female who is reminiscent of Princess Dejah Thoris in Burroughs' John Carter books. What little plot there is centers around a series of adventures and escapes, literally Under the Andes. Here, the hero is as arrogant and abrasive as Nero Wolfe, but Stout hadn't yet discovered the secret of successfully portraying this type of protagonist, which is to look at him through a third person who can gently poke fun at him while still admiring him. Let's face it, if we had seen the world through Nero Wolfe's eyes instead of Archie Goodwin's, who among us wouldn't have been rooting for the bad guy to get away every time? It's tough to even tolerate, let alone sympathize with, two of the three main characters; only the hero's younger brother is likable in his naive bravery.

When compared to its adventure-novel contemporaries, this book doesn't have much going for it. It doesn't have humor, characters you can like, or subtlety (read even the first chapter of The Lost World by Conan Doyle for comparison); and it doesn't have the straightforward-yet-immensely-profound life perspective of Burroughs' early Tarzan books.

However, if you're an aspiring writer, give this a read; you'll see how even the great writers have to start somewhere. The book isn't really abysmally bad; it's just abysmally bad compared to what it could have been if written by a more mature Rex Stout.

19 of 19 people found the following review helpful.
For True Stout Fans-- all others avoid
By Chris Ward
This earnest adventure novel reads like a silly pulp written by someone with only half the smarts of the man who created Nero Wolfe. Of course, Stout fans (and I am one) love the brilliant Nero Wolfe novels with an irrational passion-- they're truly fine reading and seem just as fresh to day as when they were written 70 or 60 or 50 years ago. That said, this very early novel by Stout is a stolid attempt at a cliffhanger-- once the caverns under the Andes are reached, the narrative becomes repetitive as escape follows escape follows escape from the evil denizens of the deep. Only true fans of Stout will be even remotely amused by this early work-- luckily, he learned a lot in the 20 years that followed this exercise, and the first Nero Wolfe was as good as the last. (Note: this work is available in its entirety on the net.)

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[F154.Ebook] PDF Download Ireland's Best Tin Whistle TunesFrom Brand: Waltons Irish Music

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(Waltons Irish Music Books). 110 of the best tunes in any tin whistle player's repertoire, specially chosen and arranged by one of Ireland's top players and teachers and graded by difficulty for everyone from the beginner to advanced player. Volume 1 includes slow airs, polkas, slides and more, including: An Ghaoth Aneas * Baidin Fheidlimidh * Bheir Me O * Boolavogue * Buachaill on Eirne * Eibhlin a Run * Fainne Geal an Lae * The Foggy Dew * Molly Malone * Oro Se do Bheatha Abhaile * Roddy McCorley * Anderson's Reel * The Bag of Spuds * The Ballydesmond Polka (1) * The Ballydesmond Polka (2) * The Blackthorn Stick * The Boys of Bluehill * Denis Murphy's Slide * Egan's Polka * Father O'Flynn * The Keel Row * and more.

• Sales Rank: #1874927 in Books
• Brand: Brand: Waltons Irish Music
• Model: A2-CBBP-16PL
• Published on: 2011-09-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x .16" w x 8.00" l, .45 pounds
• Binding: Paperback
• 110 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
a useful book
By Matvei
The book arrived on time and in good condition. It's great for beginners-intermediates because it has the tune and the fingerings below each note. It doesn't go into detail about technique or anything-this is strictly a tune book. I would recommend it.

1 of 1 people found the following review helpful.
Excellent
By Christopher J Balchin
Excellent for a beginner like me. There's a CD so you can listen to all the tunes first, and the songs are grouped in order of difficulty from easy to hard. On the early songs there are pictures that show you how to finger each note too.

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