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Perspective! for Comic Book Artists: How to Achieve a Professional Look in your Artwork, by David Chelsea
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This clever book teaches artists the unique skill of drawing perspective for spectacular landscapes, fantastic interiors, and other wildly animated backgrounds to fit comic-strip panels.
- Sales Rank: #102023 in Books
- Brand: Brand: Watson-Guptill
- Model: 953811
- Published on: 1997-10-01
- Released on: 1997-10-01
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .53" w x 7.06" l, .97 pounds
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
Most helpful customer reviews
0 of 0 people found the following review helpful.
I'd recommend it to every artist!
By Rebecca Cooke
This is a fantastic book on perspective. It was recommended to me by an artist friend, and I in turn recommended it to a college art teacher I to help her with students who were having a hard time with the subject matter.
It goes over everything you could ever want to know about perspective in wonderful, glorious, humorously illustrated detail. The material is approachable, it doesn't seem daunting, academic, overly precise or mathematic. I'd recommend it to every artist, and I think every artist can learning something from it, not just those drawing comic books.
4 of 4 people found the following review helpful.
One of the Two Perspective Books You'd Need to Get It
By Jim Gray
In my opinion, the only perspective book (of the many I've looked through) that covers practically EVERYTHING is Vanishing Point by Jason Cheeseman-Meyer; that one goes into just about every possible variety, and really digs deeply into technique, but he glosses over things too quickly and moves on, and can leave you puzzled, not explaining WHY something should work, just believe it or leave it; I like Chelsea's book because he takes more time to explain things in a clear and understandable manner (tho he does spend way too much time on some of the very basic and obvious concepts; how hard is it to understand that objects get smaller in the distance?) but he doesn't go as far as Cheeseman-Meyer into such things as curvilinear.
I think the two books together could just about cover it for anyone really trying to learn and understand perspective. When you can't figure out what an author says, it helps to read another author's explanation of the same subject, and these two complement each other well.
8 of 9 people found the following review helpful.
Probably the best perspective book yet for any artist!
By A Customer
I am a professional artist with a fairly complete resume...and library! So I feel as though I can speak about this book with some amount of experience behind my words.
I actually happened on this book as I really don't draw comics at all (I paint with my own hand-ground paints using methodology based on Renaissance techniques). Since I teach classical art and hadn't had time to draw up worksheets as I usually do about perspective for my students, I was searching bookshelves for a good text book to hand them. That's when I found this book...and I'm so glad that I did. Even people who don't paint even seem to enjoy reading it! The book is very well written and entertaining...everyone will learn something from it whether you've worked at your art for a day, a year or a lifetime. It takes the intimidating factors away from the theories of perspective. Adults can easily read it and kids are drawn to it in a second...a sneaky way to learn "complex" theories by reading "the funny pages"!
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